Chandua online dating

Thus, Odissi can be traced back to its origin as secular dance.Later it got attached with the temple culture of Orissa.This dance is characterized by various Bhangas (Stance), which involves stamping of the foot and striking various postures as seen in Indian sculptures.The common Bhangas are Bhanga, Abanga, Atibhanga and Tribhanga.A rather unexpected source, the Jain Manuscripts, especially the Kalpasutra and Kalkacharya Kathãs show traces of Oriya dance style although they were being executed in Gujarat.The marginal figures of dancers show women in poses and movements similar to the distinctive style of Odissi.It includes illustrations of the Karanãs mentioned in Nãtya Shãstra.The illustrated manuscript Shilpaprakãsha deals with Oriya architecture and sculpture as well as the figures of dance.

It originates from the state of Orissa, in eastern India.In this, one finds a elaborate analysis of the manner in which the salabhanjikãs or the feminine figures called the Alasa Kanyas are carved in the temple.The illustrations of Shilpaprakãsha reinforces the evidence of sculpture in temples.The Vaishnavite Temples such as Jagannath Temple and Konark Sun Temple abound with an array of dancing sculptures carved into the temple walls, giving testimony that a particular school of dancing had continued from the Shaivite art tradition to the Vaishnavite art form.Sage Bharata's Natya Shastra, written in 2 century CE, speaks of four types of Pravrittis (local usages): Avanti, Dakshinatya, Panchali, and Odra Magadhi, and the areas where each type is employed.

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